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Frontiers in Art Research, 2022, 4(3); doi: 10.25236/FAR.2022.040313.

Wildlife Television: Eyes to See the Wild Animal’s World

Author(s)

Zitong Xu

Corresponding Author:
Zitong Xu
Affiliation(s)

Film & Television Studies, University of Glasgow, Glasgow, the United Kingdom

Abstract

This essay talks about the shooting, editing, and other perspectives of two wild animals documentaries One Life(2011) and The Hunt(2015), to show how TV presents and interprets wild animals and how it draws the distance between humans and the wildlife world through TV, so as to create the audience's closeness/immersion and emotional resonance for the wild world.

Keywords

Wildlife Television, Shooting technique, immersion

Cite This Paper

Zitong Xu. Wildlife Television: Eyes to See the Wild Animal’s World. Frontiers in Art Research (2022) Vol. 4, Issue 3: 63-66. https://doi.org/10.25236/FAR.2022.040313.

References

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[2] One Life. 2011. [film] Directed by G. Michael and H. Martha. United Kingdom: BBC Earth, IM Global, Magic Light Pictures.

[3] The Hunt. 2015. [video] United Kingdom: BBC Natural History Unit, The Open University, BBC Worldwide, BBC America, CCTV-9, NDR Naturfilm.

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