Welcome to Francis Academic Press

Frontiers in Art Research, 2022, 4(14); doi: 10.25236/FAR.2022.041420.

A Study on the Influence of Chinese and Western Culture on Tian Han's Drama Creation Turn

Author(s)

Huang Jinping

Corresponding Author:
Huang Jinping
Affiliation(s)

Faculty of Arts, Changsha Normal University, Changsha, 41000, China

Abstract

Tian Han, a well-known name in Chinese history, is a unique and legendary great dramatist and poet. His outstanding achievements are closely related to his extraordinary artistic talent and personality, as well as his experience of joining the young chinese Society in his youth. His view of drama not only integrates the traditional Chinese opera idea, but also is influenced by western romanticism and realism. It can be said that in these two completely different cultural forms, Tian Han learned from others and was compatible with Chinese and Western cultures, forming a set of his own unique drama view and drama creation style. In terms of ideology, Tian Han was mainly influenced by the utopian socialism and democracy in the Institute, as well as by nationalism and reformism, and later turned to communism. The experience of the Young China Society fostered Tian Han's character of being true, honest and chivalrous. However, learning the loose organization and management, to a certain extent, Wang aggravated Tian Han's character of being independent of the organization and going his own way. Combine the innovative spirit of art with the actual stage expression to form its own unique aesthetic personality and artistic style.

Keywords

Tian Han; Chinese and Western culture; Theatre; Creative turn

Cite This Paper

Huang Jinping. A Study on the Influence of Chinese and Western Culture on Tian Han's Drama Creation Turn. Frontiers in Art Research (2022) Vol. 4, Issue 14: 106-111. https://doi.org/10.25236/FAR.2022.041420.

References

[1] Fung A. The Influence of Confucianism and Western Psychological and Religious Culture on Identity and Music Learning among Chinese Musicians [J]. 2017, 2-5.

[2] Li X. A Study on the Characteristics and Transmission Ways of China Central Plain Opera Culture [J]. 2017, 6-8.

[3] Karlinska A. The art of nerves: A quantitative and qualitative analysis of drama at the turn of nineteenth and twentieth century [J]. Literary & linguistic computing: Journal of the Alliance of Digital Humanities Organizations, 2021(1):3-6.

[4] Rovira J. 1. Outside as Bowie's Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia [J]. 2022, 15-25.

[5] Saunders J. The Problematic Anglo-American "Special Relationship" in Turn-of-the-Millennium British Drama [J]. Indiana University of Pennsylvania. 2017.3-10.

[6] Ciutiene R, Ciarniene R, Meiliene E, et al. A Study on the Influence of Stakeholders' Relationship Management on Project Value Co-Creation [J]. Digital Transformation: The Harmonic Convergence of People, Culture, Process, and Technology in the New Normal, 2022, 8-12.

[7] Zhang L. The application of manipulation theory in Drama Translation——Taking the Chinese version of "The Death of a Salesman" as an example [J]. Journal of Jiamusi Vocational Institute, 2017, 14-18.

[8] Hui M A, Literature S O, University L. The Hermeneutic Turn of Western Modern Drama [J]. Journal of Liaocheng University (Social Science Edition), 2017, 6-15.

[9] Lu Dongmei, Pan Yan Study on the Influence of Cultural Context on the Translation of A Dream of Red Mansions [J]. Crazy English: Theoretical Edition, 2017(4):2-5.

[10] Jing L I. The Influence of the Western Culture on the Higher Vocational College Students' Values and the Corresponding Countermeasures [J]. Journal of Harbin Vocational & Technical College, 2017, 12-18.