Academic Journal of Humanities & Social Sciences, 2022, 5(19); doi: 10.25236/AJHSS.2022.051906.
Qi Xia1, Yuan Lehui2
1School of Design Art, Jingdezhen Ceramic University, Jingdezhen, 333403, China
2School of Ceramic Art, Jingdezhen Ceramic University, Jingdezhen, 333403, China
Not only do regionally specific craft styles incorporate the literary and creative veins of the craftspeople who make them, but they also maintain the aesthetic approach that is typical of the eras. It is precisely the social and cultural structure of this skill tradition that rekindles the meaning of existence and innovative stance of the Jingdezhen porcelain art style, thereby interpreting a rich and diverse way of handicrafting. This revitalization of the meaning of existence and innovative stance of the Jingdezhen porcelain art style can be attributed to the fact that Jingdez. At the same time, it has moved toward an intricate, ambiguous, and secular aesthetics of technique and life narrative, and it has gradually moved toward a fancy, peculiar, and vulgar cultural memory and innovative concept. Both of these developments took place simultaneously. The purpose of this paper is to investigate the evolution of its porcelain art from the point of view of the progression of craft civilization. After that, we will take a look at the tradition and center our attention on the significance of the ware in an effort to find modernity and strength so that we can gain new life.
Jingdezhen; porcelain art; transformational development
Qi Xia, Yuan Lehui. Exploring the Transformation of Porcelain Art in Jingdezhen Today. Academic Journal of Humanities & Social Sciences (2022) Vol. 5, Issue 19: 30-35. https://doi.org/10.25236/AJHSS.2022.051906.
[1] Zongyue Liou. The Way of Craft [M]. Translated by Yiyi Xu. Guilin: Guangxi Normal University Press, 2011, 11. p. 115.
[2] Jin Jiang and Huihui Jiang. Design art [M]. Hunan Fine Arts Publishing House. 1993.3. p. 203.
[3] Zongyue Liu. The Way of Craft [M]. Translated by Yiyi Xu. Guilin: Guangxi Normal University Press, 2011, 11. p. 65.
[4] Tianbo Pan. Aesthetics of modern lacquer art [M]. Guilin: Guangxi Normal University Press, 2012, 11. p. 234.
[5] Zongyue Liu. The Way of Craft [M]. Translated by Yiyi Xu. Guilin: Guangxi Normal University Press, 2011, 11. p. 91.
[6] Zongyue Liu. The Way of Craft [M]. Translated by Yiyi Xu. Guilin: Guangxi Normal University Press, 2011, 11. p. 177.
[7] Jian Hang. The idea of craft [M]. Jinan: Shandong Pictorial Press, 2017, 1. p. 49.
[8] Zongyue Liu. The Way of Craft [M]. Translated by Yiyi Xu. Guilin: Guangxi Normal University Press, 2011, 11. p. 126.
[9] [U.S.] Robert. Cray. The beauty of design [M], translated by Taoyin Yin. Jinan. Shandong Pictorial Press, 2010. p. 184.
[10] Jian Hang.The Thought of Craft [M]. Jinan﹕Shandong Pictorial Press,2017,1. p. 4.