This article delves into the aesthetic characteristics and creative practice of micro-films from the director’s perspective. Firstly, by interpreting the aesthetic characteristics of micro-films, including aspects such as storytelling, visual expression, and emotional resonance, it reveals their unique artistic charm. Secondly, by incorporating creative practice cases, it explores the methods and strategies employed by directors in micro-film creation, analyzing how to utilize creativity, techniques, and teamwork to achieve artistic expression in micro-films. The research results indicate that directors play a pivotal role in micro-film creation, and through precise grasp of aesthetic characteristics and flexible application of creative techniques, they can create micro-films with profound content and extensive influence.

Honglei Zhan. Aesthetic characteristics and creative practice of micro-films from the perspective of directors. Frontiers in Art Research (2024) Vol. 6, Issue 11: 16-22. https://doi.org/10.25236/FAR.2024.061103.

[1] Wu Feng. Development and type for the micro film [J]. China press, 2023, (12) : 129-131. The DOI:10.13854/j.carolcarrollnkicni.2023.12.037.

[2] Li Sixiao. Micro film Directors' Grasp of film structure and Rhythm and their thinking Analysis [J]. Communication Research,2019,3(33):86.

[3] Yu Miao. Every Detail: An Exploration of micro films under the vertical screen ecology [J]. Film Literature, 2024,(08):59-66.

[4] XIA Jing. Research on micro film narrative from the perspective of Communication [D]. Sichuan: Chengdu University of Technology,2013.

[5] Information on: https://cinehello.com/stream/entry/59732

[6] Peng Yanhan. Aesthetic Characteristics and Cultural Connotation of Tsui Hark's Films: A Case Study of New Dragon Gate Inn and Flying Swords of Dragon Gate [J]. TV Guide,2021,(Z1):104-106.

[7] https://www.firstfilm.org.cn/en/movies-en/film-library-en/a-dog-under-bridge/